禪宗文化里，入門是悟道之始，有莊重的儀式。齋菜館門廳，引六祖慧能典故，無根菩提樹、銅制明鏡臺造景，以清簡、質樸、克制、自然，傳遞“應無所往而生其心”的大悟。佛法講究“廣度眾生”，一層餐飲空間也圍繞此主題展開。法相莊嚴達摩祖師坐禪雕塑，天花虛實結合菩提葉，輕便竹藤工藝吊燈，象征“凝聚智慧光華”菩提果，設計打造一個返璞歸真精神道場，以此開啟美學升華。今天鄭州餐廳裝修公司為您推薦的是福順齋中餐廳裝修設計方案！

In Zen culture, introduction is the beginning of enlightenment, and there are solemn rituals. In the hall of the restaurant, the allusions of Huineng, the sixth patriarch, are quoted. The scenery is made of rootless bodhi trees and bronze mirror platform. With the simplicity, simplicity, restraint and nature, the hall conveys the great understanding that "the heart should be born from nothing". Buddhism pays attention to the "breadth of all beings", and the dining space on the first floor is also launched around this theme. Dharma Bodhisattva is a solemn Buddhist meditation sculpture. The ceiling is combined with Bodhi leaves and light bamboo and rattan craft chandeliers, symbolizing the Bodhi fruit of "gathering wisdom and brilliance". It is designed to create a spiritual Taoist field of returning to nature, so as to open up the aesthetic sublimation. Today, Zhengzhou restaurant decoration company recommends the decoration design of Fushun Zhai Chinese restaurant!

二層餐飲空間，延續“行亦禪、坐亦禪”的設計主旨。9個包間，以 9 句銅制禪宗傳世經文做墻面裝飾，餐桌上方燈具，選用水晶球材質射燈款式，取佛教中代表僧團和平共處的六和敬之數，6 盞燈組成圓環光源，滿足照明又兼顧藝術觀賞性。

The dining space on the second floor continues the design theme of "walking and sitting". Nine private rooms are decorated with nine lines of bronze Zen scriptures. The lamps above the dining table are made of crystal ball material. The number of six respects representing the peaceful coexistence of monks in Buddhism is taken as the number. Six lamps form a circular light source to meet the lighting and artistic appreciation.

3層是齋菜館VIP空間，從宋代達觀禪師詩句“鶴立松梢月，魚行水底天”獲得靈感，走廊兩邊角落對立造景，枯山水與藝術松雕派生意境，過道游魚燈光投影，表現“一生二、二生三、三生萬物”禪理，方寸之地幻出千巖萬壑，讓來客體悟“道法自然”的禪趣。

The third floor is the VIP space of the Zhai restaurant. Inspired by the Song Dynasty Zen master Daguan's poem "crane stands on the pine shoot and the fish walk on the bottom of the water", the two corners of the corridor are opposite to each other, the artistic conception is derived from the dry landscape and the artistic pine carving, and the lighting projection of the fish in the corridor shows the Zen principle of "one's life, two lives, three lives".